However, war offers a chance to explore critical questions and themes that can help students understand the world today, even if those themes are discussed in the context of ancient civilizations. Why
has war been an omnipresent part of human history? Is there a direct link between the state and war? How are armies formed and maintained - who is involved, how are they persuaded to get involved? What resources are needed, what difficulties are faced? How
does invasion effect culture? Once a group has been conquered, how is power
maintained on the one hand – strategies of domination – and resisted on the
other – strategies of resistance? A nation that was raised asking such questions would be less likely to jump into war as readily as our country recently has, due to being able to predict the difficulties of fighting on the rugged terrain of Afghanistan, maintain the difficulties of finding and then transporting massive amounts of resources, the difficulties of recruiting and training indigenous soldiers, and the cultural resistance to domination. Aside from being able to predict these factors, a good education would also equip citizens to question a states motive for war more deeply than we have tended to do in the US.
I’m focused on this question today because yesterday I wrote
that the Hyksos invasion might be an interesting opportunity to discuss
invasion and cultural change, as well as to explore ethical questions.
Today I re-read that post and thought to myself, "the Hyksos?
Really"? The Hyksos are
important to the Egyptologist or student of the Near East. But not so
much to sixth graders – it is likely they would never hear of the Hyksos
again. When choosing what to emphasize
in curricula, I often consider how often my students may encounter the subject
in the world: if the answer is “never again,” that’s a sign that I may want to
emphasize another subject. Students will
certainly hear about the Persians, Greeks, and Romans again… so instead of cluttering
the curricula through a lesson on the Hyksos, perhaps it would be better to
explore those themes through considering later Persian, Greek and/or Roman
interactions with Egypt.
That said, I would love to be criticized on this. I simultaneously feel it is very, very important that students don't get the idea that there were just a handful of peoples living around the Mediterranean, or anywhere else. Every land is incredibly diverse, and I would want to, at the very, least, show students maps that depicted the incredible array of cultures - and by cultures I don't mean states, because the majority of people in history have lived outside of them - that existed in any one area under study.
Persians had a reputation for ruling conquered peoples by not only allowing but supporting their traditions, including their laws. In this tradition, Darius built monumental Egyptian temples. However, he was the first and last to do so - after Egyptian revolts, Persians changed their tune and stopped their collaboration with existing Egyptian leadership, killed Egyptian sacred animals, and destroyed sacred art and architecture. At this point I would want students to consider the up and downsides of such a strategy of control. How will this help Persian control, and how will it make it harder? What are at least two different ways that Egyptians might react to this brutal form of rule? I would also bring in contemporary examples from around the world of purposeful destruction of art, such as the destruction of Buddhist art in Afghanistan.
When Alexander triumphed over the Persians, he portrayed the Greeks as the saviors of Egyptian society, and the Egyptians largely agreed… for a couple generations. The Greeks made a major effort to demonize the Persians, and to emphasize their efforts at restoring sacred art and learn Egyptian customs. The Library of Alexandria was created partly as a means for Greeks to learn as much as they could about Egyptian society.
Egypt is the also the only conquered land where art was
not Hellenized. Students could be shown
art from Gandara, with its Hellenized Buddhist art (Greco-Buddhist art) and
compare it to art sponsored by Greeks in Egypt (which I need to search for. Send me a link if you find something on it :)
That said, I would love to be criticized on this. I simultaneously feel it is very, very important that students don't get the idea that there were just a handful of peoples living around the Mediterranean, or anywhere else. Every land is incredibly diverse, and I would want to, at the very, least, show students maps that depicted the incredible array of cultures - and by cultures I don't mean states, because the majority of people in history have lived outside of them - that existed in any one area under study.
Persians had a reputation for ruling conquered peoples by not only allowing but supporting their traditions, including their laws. In this tradition, Darius built monumental Egyptian temples. However, he was the first and last to do so - after Egyptian revolts, Persians changed their tune and stopped their collaboration with existing Egyptian leadership, killed Egyptian sacred animals, and destroyed sacred art and architecture. At this point I would want students to consider the up and downsides of such a strategy of control. How will this help Persian control, and how will it make it harder? What are at least two different ways that Egyptians might react to this brutal form of rule? I would also bring in contemporary examples from around the world of purposeful destruction of art, such as the destruction of Buddhist art in Afghanistan.
When Alexander triumphed over the Persians, he portrayed the Greeks as the saviors of Egyptian society, and the Egyptians largely agreed… for a couple generations. The Greeks made a major effort to demonize the Persians, and to emphasize their efforts at restoring sacred art and learn Egyptian customs. The Library of Alexandria was created partly as a means for Greeks to learn as much as they could about Egyptian society.
What do you notice happening in this image of the Library of Alexandria? What people do we see depicted? (I.e., do they look Greek or Egyptian?) Based on our discussion, what do you think these Greeks might be studying? (I.e., ways to replicate Egyptian art, build Egyptian temples, learn Egyptian language.) What role did the library play in controlling Egypt? Do you think this would be an effective form of control? |
In this example of Greco-Buddhist art, the Buddha is clearly sculpted in a Greek style. In Egypt, however, the Greeks did not chose to Hellenize the art. Why did the conquering Greeks choose to support traditional Egyptian art? |
One final thought: as teachers we’re basically led to
believe in teaching civilization by civilization, but in this example of
invasion, we’re looking less at bounded civilizations than at cross-cultural exchanges.
Civilizations only exist within
relationships to surrounding groups of people, many of whom are incredibly
important to world history - even if they don’t belong to a civilization. Rather than moving chronologically, and teaching
ancient Egypt, then jumping to India, then China, and back to ancient Greece, would it be beneficial to teach the Mediterranean region thoroughly, looking at
the interactions between Egypt, Greece, the Levant, Persia, Anatolia, and Rome, and then do the same with Asia and South America? Just one of a thousand thoughts to explore
more fully some other time!
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